Tuesday, June 20, 2017

MPC 1000 Files / Thoughts on the 2000XL & Live Beat Making

In the late 90s - early 2000s I was using software to compose tunes, at this time mostly early versions of FL Studio & various tracker programs (Impulse Tracker, etc.). Before even that I was a latchkey kid with tape recorders, a record player, and a good ear for reproducing things heard on TV onto the piano. In terms of hardware, I've pretty much always been a MPC dude. Never dabbled with SPs or MVs, although if I were to make a grand switch it would probably be the MV. RZA switched early and rocked the hell out of that thing.

This is a small collection of MPC 1000 beats. No doubt there's a lot more on there..

After rocking the 1000 for about a decade or so I switched over to the 2000XL for a little while, to get a feel for much more limited and old school hip-hop production methods. I can say a lot about this. My first impression of the 2000XL was that it was like an old ass slot machine. Trusty, but funky and still works. For the 2000s generally the MIDI timing is on point. You have to preview a sound before you load it in, and loading takes time.. In terms of raw sound however the 2000 series is a tad punchier than later MPC models. May or may not have something to do with Roger Linn leaving the company during this time, as Akai was acquired by Numark, who basically didn't really care much in terms of quality and devotion to legacy. I never tried the 60 or 3000, but I respect those machines greatly. If anything if I were to "go old school again" it would probably be the 4000. For the time being more or less indefinitely at this point, I'm happy with the 1000/2500 platform, especially with JJOS

So I was using the 2000XL for about a year pretty intensively. When suddenly the machine just flat out died, or at least the screen did. No lines or anything... It just straight up gave out. Rather than copping a new screen from MPC Stuff I decided instead to just sell it off and use the money to buy a decent 2500 with the new XLCD screen. I sort of had the precognition that heads would get tired of the DAW controller MPCs that eventually unfolded. However it doesn't seem the be the case as much as I thought it would. Nevertheless you won't see me rocking a Ren or a Touch or a Live, or whatever newfangled touchscreen things they have at Guitar Center these days. There's a lot of romance floating about how the 2000s don't jam. In my personal experience this wasn't the case. I've never had the 1000 or 2500 jam on me once.. Not even getting into the horrible pad sensor design on these models, there's much more to read about that elsewhere. And if you know you know..

I've more or less equally been about straight composition versus sampling loops (not even cutting). So my beats from even the early days have been either/or/or a cross in-between. And it will no doubt continue to be this way.

I can't front. Computers and software have gotten to the point where it's so much easier and faster and cheaper to just lay stuff out in a DAW. I only work this way entirely about 20% of the time at most. The majority of DAW use is mixing. I still use the MPC, and I got a second audio interface to basically use as a digital converter for adding VST instruments to the mix on productions, so it's all good and I've finally gotten to the stage where I'm entirely 200% comfortable with how I'm rocking shit. It's a decent hybrid mix of analog and digital. I got a dirty scratchy-ass Ramsa mixer and plenty of things to plug into it.

I do want to start filming some beats making videos, and do live streams and all that, but that's been a struggle for the past couple years. I don't even have a smartphone.. My instagram account only has like 3 pictures as of now and it was all because I was able to use a relative's smart device. So there's that. I did try on at least two occasions to stream a beatmaking session, but each time there were some issues preventing me from filming. I'm tempted to pull out the old VHS or 8MM recorder and just do it that way.. But it wouldn't be live. Time will tell. It might have to be pre-recorded and semi-unedited. But I would like to stream live on the spot sessions. Maybe even some Rhythm Roulette style sessions pulling records out randomly. Tune in to be hip to whatever happens..

Monday, June 19, 2017

MPC 1000 & 2500 Maximum Storage - The 2017 Way

I set out to tie together different theories and experiments on the ol' MPC-Forums regarding maxing out storage space using MicroSD cards in both the front slot and internally. Lo and behold it's possible.

In a nut to make this work internally you need a CF to IDE adapter (with all 44 pins) connected to the HDM-10. And as with the front slot, a SD -> CF adapter (the MicroSD going inside of an SD adapter).

The JJOS YouTube Channel now has a series of videos showing this in action. Chea

Malakai Beats - The Art of Koi Keeping Previews

I've been working on this project on and off for a while. It's sort of on the backburner at the moment, but like Music For Boat Chases a good deal of the actual production is already done. Also like Music For Boat Chases it's somewhat of a thematic record. The idea is simple: to produce Japanese inspired beats combined with Wu-Tang acapellas, and drop it as a free mixtape. Check out some the track previews and beat snippets below:

The quality on this right here is kind of horrible because I converted it from FaceBeef videos, so check them out over there also if want slightly better audio. I think there's one or two other beats from this project scattered there-abouts as well..

Malakai Beats - Music For Boat Chases Maxi-Single

Working on multiple projects and things at once, I decided to drop a short 4-track prelude to the upcoming full length instrumental album, Music For Boat Chases. Progress on the album is good; Most of the actual tracks are produced but need to be mixed. So eventually it will drop. And it will be dope..

Also peep this cut: